Book Length, Word Count, and Readability in Writing

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The length of a book can be a vital factor in its success. It may not appear to be at first, but there is a formula followed by countless writers and publishers. Depending on the target audience, genre, readability, and book type, the word count in a book can vary substantially.

That said, there are always outliers—books that have done well outside of word count brackets. If you’re a writer with questions about how long your writing should be, this article is for you.

—Book Length Guidelines—

Although there is no fixed word count, there are generally recognized guidelines depending on genre and audience.

Audience

Younger audiences have smaller attention spans and therefore cater to short, fast-paced book length. Adults are more tolerable with longer manuscripts. For example, YA (young adult) will—usually—be less than the book-length for a more mature audience.

Age group word count examples:

  • Poetry: 5 to 3k
  • Picture Book: 400 to 800
  • Play: 1k to 32k
  • Middle Grade: 25k to 40k
  • Young Adult: 50k to 80k

Genre

Book genres, of course, play an essential role in the word count of a novel.  Science fiction and fantasy works tend toward a high word count since the writer develops a fictional world from the ground up. This takes time to describe all the new rules and phenomena associated with such a fictional universe.

Historical fiction, Young Adult, Westerners, and Mysteries prefer a lower word count—of course, there are always exceptions.

Genre group examples:

  • Romance & Erotica: 40,000 to 100,000 words
  • Mystery/Thriller/Horror: 70,000 to 90,000
  • Horror: 80,000 to 100,000
  • Historical: 90,000 to 100,000
  • Sci-fi/Fanasty: 90,000 to 140,000

General Book Types

Depending on the type of book you intend to write, word count plays another significant factor. Flash fiction and short stories are, of course, brief, but powerful tales. A novella—for those who don’t know—is a compact novel, longer than flash fiction and short stories, with a fleshed out story and characters; ideal for a quick read.

Book type examples:

  • Flash Fiction: 300 to 1,500 words
  • Short Story: 1,500 to 30,000
  • Novellas: 30,000 to 50,000
  • Novels: 50,000 to 100,000

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—The Endgame—

You can have your long epic fantasy and do well with it. However, for new writers, it is best to start small and work your way up. A book-length that is simple and sweet reads best.

Legacies

Once authors have a handful of books under their belt—and a fanbase—they can gamble a little more. Agents and publishers can reference this track record, and this increases the chance the book gets published regardless of word count or even prose finesse. If you have enough avid fans who will buy the book, publishers will overlook certain shortcomings, since they know the books will rake in profits regardless.

For this reason, some authors have started small in self-publishing like Michael J. Sullivan before they hit the goldmine.

Quantity Versus Quality

Quantity alone does not a good book make.  You have to earn your manuscript, one word at a time. If a document is 150,000 words long but fills its pages with redundant vocabulary, it probably won’t read well to the eye of an agent or a casual reader.

Adverbs and excessive prose often slog writing; an attempt by the writer to look professional. As a general rule of thumb, the shorter the word/phrase is, the better. The simpler a manuscript is, the more people can read it, and the more can enjoy it.

Reading Level

The average reading level for America is around the 8th-grade mark. If the author wants a book to read smoothly among a wider audience, then a book should read close to this level. By using simpler and shorter phrases, the readability of the prose goes up.

Higher reading associates with scholarly articles and doctoral theses; that’s the point of them, to demonstrate a graduate’s intelligence. Informational articles like this one can calibrate higher; their purpose is to inform and advise. Fictional novels, especially YA and children books, are for people to enjoy and immerse themselves in an easy-to-read environment.

Word Impact

Each word in a manuscript should contribute to the book in at least one of the following ways:

  • Character progression
  • Plot development
  • Environmental immersion
  • Reader enjoyment

There are exceptions, but if you find a word that doesn’t fit one of these criteria, it can usually be removed. You don’t want to be overly descriptive either as that slogs the pacing and reduces readability.

Chapter Impact

Chapter length can also have an impact on readability and word count. Short chapters organize a book better, improve readability, and leave readers with a sense of satisfaction when they count how many sections of the book they have finished. Shorter chapters also make for good stopping points when a reader needs to put the novel down.

Longer chapters are tedious, but sometimes necessary when a section of a book demands enough information or plot progress to benefit the story and characters. In this case, scene breaks are good for breaking down long chapters.

Reader & Writer Relationship

Half of telling a story comes from the reader’s imagination; give half and let the reader form the rest. This stimulates the reader’s mind, bringing with it a sense of fulfillment.

A book is as much of a journey for the writer as it is for the reader. If you can provide that opportunity—for a reader to have fun and explore—they will flip pages nonstop and won’t care about book length.

—Conclusion—

The length of a book is up to the writer, depending on his or her goals and ambitions. Identifying core variables like the audience, genre, book type, readability, and the author’s legacy are essential to the process. Authors who have built up an impressive resume of stories can skirt the rules.

A writer must first do the research, just as a builder must first draw out blueprints for a house—and research the terrain. Each brick of a manuscript’s foundation should be carefully placed with meaning. If you do this, your house of stories will last against the elements of agents, publishers, and critics alike.

Here’s a free online program called WordCounter that not only checks the word count in a written document but also checks the reading level, reading or speaking time, and word frequency. Just paste your work into the program, and it will analyze everything for you automatically.

Thank you for reading and good luck in your writing endeavors.


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Why Do Writers Write?

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“I do not think there is any thrill that can go through the human heart like that felt by the inventor as he sees some creation of the brain unfolding to success…Such emotions make a man forget food, sleep, friends, love, everything.”

—Nikola Tesla

Each author has his or her own means to spur the imagination, the motivation to sit down and write. The source of an author’s motivation is vital to the writing process—and understanding it will enhance the quality of any written piece.

In this blog post, I’ll explore some of the reasons why writers write and then I will discuss my own experiences.  If you’re an aspiring author seeking direction, then this article will provide some useful guidance. Maybe you can relate to your own experiences—I’d love to hear them in the comments below. 🙂

—Why Do Writers Write—

To Express Creativity

“The arts especially address the idea of aesthetic experience. An aesthetic experience is one in which your senses are operating at their peak; when you’re present in the current moment; when you’re resonating with the excitement of this thing that you’re experiencing; when you are fully alive.”

Sir Ken Robinson

There’s nothing like an adrenaline rush at the onset of a brilliant story. Writing brings us into a world of creativity, full of whimsy imagination that expresses our intellect in profound ways.

One of the main reasons why writers write is because they need to release this beautiful energy. Bottling it up is like putting a stopper on a volcano.

To Gain Recognition

The ego is a strong motivator, especially for writers; many authors want to be inspired by their success and the praise they get from the world. Not everyone wants to be the next Stephen King or George Orwell, but many do.

 

To Influence the World

You may have heard the classic phrase “the pen is mightier than the sword”. Well, it’s true; a written piece can alter history and modify how the world sees itself—especially with religious prose.

Others, like news companies, can control how the public is informed on local, national, and world issues. When you think about it from that perspective, that pen is sounding quite powerful.

To Explore Life Itself

Since time immemorial, storytellers and philosophers have addressed the meaning of life and what gives humanity purpose. Writing is a therapeutic exercise that allows the mind to explore reality around us.

Writers attempt to tackle many of life’s questions, hoping to inspire others in the process. In this way, writing is more of an altruistic ritual for empowering humanity. See this recent article on the Hero’s Journey for more information.

To Make Money

There’s nothing wrong with writing to put food on the table. Many people use writing as a second job to supplement their main income. Writing can be a fun and immersive hobby, and making some money while doing it is certainly appealing.

That said, writing isn’t very rewarding. Most writers get paid little each month for their publications. There are those that defy the odds and become rich, but that isn’t the typical scenario.

—Why I Write—

How did I start as a writer? What interests me and motivates my writing sessions? In this section, I’ll elaborate on these questions. The answers should give you a different perspective to reflect on—and some of them might surprise you!

How I started as a Writer

I never planned on being a writer, the art gradually crept up on me in my adult years. During my childhood, I was into roleplays, which were short stories co-authored with friends.

My dad owned a small library of science fantasy books, which I consumed voraciously. Science fiction and fantasy were my favorite genres, but I also enjoyed romance, horror, and spirituality.

From the roleplaying forums that I had joined, I gradually developed a cast of original characters, plot themes, and mythical creatures. It went further and  I designed a magical system, technology, names for races, continents, and planets.

The project snowballed when I was unemployed, bored, and depressed. I chose something that I could actively do myself, rather than relying on an email response from an IT company for a job while I sat at home.

My old roleplaying friends had also moved away from the forums, and I was left to my creative devices. Little did I know what the result would be…

Startling Revelations

Several months later after starting on my little project, I sat up from my computer chair, staring at a 300,000-word rough manuscript.

I couldn’t believe it, and I remember pounding the computer desk in disbelief.

I’d written something so extensive to be worthy of a trilogy, and I didn’t have any English college credentials! Talk about a wild trip into my imagination!

Since finishing the rough draft, I’ve reviewed my manuscript and discovered the horrors of rereading, rewriting, and editing out the myriad mistakes we humans continuously make in our work. Thankfully, the manuscript for book 1 has progressed significantly over the many grueling—yet fun—hours I’ve put into it.

My motivation

I write to fulfill myself-—to release the creative demons that lurk within my heart. Every day they beg release. There is a warm satisfaction in finishing an article or writing/editing an original chapter of my novel. I cherish my characters and readers, considering them good friends.

Looking Back

I understand that writing is difficult, but so are many things in life worth doing. Writing, especially with my original series, fills me with a warm fulfillment that other pastimes do not. When I look back at my life, I’ll have no regrets working on Ethereal Seals, my blog, or any of my future projects.

Despite the struggles—as shared by many authors—, I’ve enjoyed every minute of it as an amateur writer and blogger, pioneering into my own creative world.


What is your spark? Are you also seduced by the rewards that creativity brings? Leave it in the comment below if you feel inclined. Thanks for reading everyone!

 

 

 

 

Fantasy Book review, Mistborn #1: The Final Empire

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Hello to my readers. Cheers to another book review. I read a fascinating series weeks ago and thought I’d share my thoughts on it. I’ll keep spoilers to a minimum.

With that said, let’s delve into Brandon Sanderson’s world of intrigue, magic, and adventure.

Mistborn, the Series

Premise

Mistborn is an epic fantasy series that spans multiple books. The story also incorporates some dark fantasy elements. Each book is long—and well worth it. Expect to invest time in each installation if you so desire.

If I could describe Mistborn in three words, it would be—gloomy, epic, and intricate. There is a strong sense of adventure too, though most of the plot takes place within a capital city. This didn’t stop Sanderson from developing detailed worldbuilding.

Characters

The main character, Vin, struggles to understand herself in a turbulent world of war, oppression, and darkness. She meets many characters in her journey, most that popped out of the page for me, the reader.

Sanderson did an excellent job with the characters. The cast came off as likable and amusing. There were a few scenes where I laughed and had to reread for the fun of it. Sanderson knows when to cut the tension with old-fashioned comedy relief—an essential element in manuscripts, by the way.

The villains were sadistic enough—and arcane enough—to warrant interest. The antagonist in book 1 is practical a god who survives decapitation, experiences immortality, and can manipulate thousands of people at will. Talk about a challenge for the protagonist!

Magic System

The magic in Mistborn is intriguing—an alchemical system where a person burns metals within the body. Each metal provides a specific power when burned. The effect is usually temporary and limited by the metal resources at hand.

Superhuman feats are common in Mistborn, so, expect some Avengers-grade thrills. The action blew me away and kept me reading. It is refreshing to see supernatural action mixed it for once rather than the usual sword or gun fighting.

My one complaint is that the action is a little confusing with all the unique terms. Brandon Sanderson could have improved on the readability during these scenes. I sometimes skimmed over the fight scenes because they weren’t easy to follow.

Romance

The romantic interest for the main OC, Vin, starts late in the book and builds up gradually. It may not read like the best romance novel—and came off a little flat to me—but it fits in well enough with the plot and characters.

Romance does play a stronger role in the second book, Well of Ascension; admittingly, Sanderson did a better job of it in the second installation.

Conflict

Mistborn is rife with conflict—another good detail of the book. I couldn’t go ten pages without feeling sympathy, pain, or anticipation. Sanderson knows how to keep the pages turning—never a dull moment.

I sometimes compared the feeling to Dragonlance—another favored series of mine.

Overall Summary

The Good

The characters, magic system, conflict, and atmosphere of the book are my favorite elements of Mistborn. It set the proper tone for a dark fantasy epic novel. I imagine I’ll be rereading it again in the future.

The Bad

The action/combat scenes were confusing, and the romance was not deep enough. I feel Sanderson could have developed these scenes more. Regardless, they weren’t terrible and never impeded the book’s flow beyond a few pages.

The Ugly

There were a few graphic scenes in Mistborn, some which made me pause (not in the wrong way, mind you). I’m all for gore and blood if it helps add dimension and immersion to a book. That said, this book isn’t nearly as extreme about it as Song of Fire and Ice (another excellent book, by the way).

Still, Mistborn isn’t for the light of heart. After all, it is a dark fantasy novel to some degree—and I still enjoyed it.

My rating: 4.5/5 stars—outstanding

Thank you all for reading. This review post was a first for me. If you have any feedback, comments, or suggestions, let me know in the reply boxes below. Love and gratitude to my readers. 🙂


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The Hero’s Journey in Fiction: A Revisit

 

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Years ago, I read a fantastic book named The Hero with a Thousand Faces by Joseph Campbell. In it, the author details the Hero’s Journey. This is a powerful story element that every writer, artist, or screenwriter should understand. It illustrates a protagonist’s adventures, from safe haven to the darkest dungeon—be they literal or figurative.

—What is the Hero Journey?—

The Hero’s Journey is a story mechanic that centers around the protagonist’s progression through the various acts of the story. Typically, there are four acts for each journey, from which the audience witnesses the evolution of the hero.

The first act of the Hero’s Journey introduces the hero, while the second and third act elaborates on their ordeals, and the fourth finishes round circle. You may notice certain tropes or definitions used in each act; these are minor plot elements that form the Hero’s Journey—and some are necessary to flesh out the story.

—Act I—

The Ordinary World

The story begins in the Ordinary World, a mundane realm that may be a safe haven or even a prison for the hero. Here, the audience learns about the hero’s life situation, his/her abilities, fears, and personality.

The Call to Adventure

From the Ordinary World, conflict arises that stirs the hero from complacency. This may be something serious like an assassination or a minor incidence like a strange phone call. The hero now has a choice to pursue the source of the conflict and resolve the issue, or remain in his or her realm.

Refusal

Initially, the hero may be hesitant to leave the safe boundary of the Ordinary World. The hero sees the risks involved and what’s to gain if s/he succeeds. Some stories skip this step with a willing or reckless hero who jumps onto the quest immediately.

—Act II—

The Mentor

The hero encounters the mentor, a wise or experienced individual. The mentor trains and/or guides the hero, providing new knowledge about the nature of the quest. This character is more often an elderly person but can manifest as a younger individual or inanimate object such as a legendary sword.

Crossing the Threshold

The mentor guides the hero away from the Ordinary World to the first Threshold—or the point of no return. The hero’s commitment is tested, determining if the hero is truly ready for the quest. The Threshold is the gateway to a new dimension, far away from the Ordinary World.

Tests, Allies, and Enemies

Now in a world of mystery and danger, the hero learns more about his/her new adventure. This strange world brings a host of challenges, allies, and enemies. Every obstacle is a stepping stone to unearthing the hero’s personality and capabilities. Abilities are sharpened, and pain is endured. Temptations are met, and the hero struggles with his/her inner shadow self.

—Act III—

Approach to the Dungeon/Inmost Cave

The hero prepares to enter the Inmost Cave. Setbacks occur, but the hero endures, priming for the Supreme Ordeal—an inner crisis that demands change from the protagonist. The hero must analyze personal flaws and push forward to complete the quest. This brief respite offers another connection between the hero and the audience as both understand the danger and gravity of the quest.

Supreme Ordeal

The protagonist faces a dangerous challenge, often against the antagonist, risking life and limb to complete the ordeal. The antagonist can also be a dark reflection of a father figure, such as with Luke Skywalker and Darth Vader, with exaggerated flaws of the protagonist. The Supreme Ordeal is a highlight of the hero’s quest, and everything is at stake. S/he must draw upon all the experience from the journey to survive against the antagonist.

Reward, Seizing of the Sword

If the hero succeeds, s/he emerges as a changed person. The hero also receives an award as proof of victory; this might be a mythic sword or artifact, signifying the change in the hero’s life. The hero now prepares for the last part of the quest.

—Act IV—

The Road Back

With the quest completed, the hero begins to travel back to the ordinary world, which is the opposite of the call of adventure. Instead of worry or pain, fulfillment and satisfaction arise. The quest is not done, as the last challenge awaits the hero.

Resurrection

The hero faces a test or battle against the antagonist at the final Threshold—likened to the supreme ordeal on steroids. This ultimate tribulation challenges the hero immensely, evoking his/her greatest fears and requiring all the experience they’ve gained from their quest. Failure may result, leading to the hero’s death, a dearth of all hope, or even a severe injury that mars the hero.

The protagonist is reborn from the flames of demise, returning as a new person–transmuted into the true hero, and no longer the false facade from before. Following the brush of death, the adventurer conquers the final ordeal, or the Dragon at the Final Threshold, seizing the Elixir. Reconciliation with the Father is obtained and the hero is purged, fully equipped to end the adventure.

Return with the Elixir

The adventurer returns to the ordinary world as a changed person—physically, mentally, and spiritually. Using the reward from the final ordeal, s/he improves upon the ordinary world and a new era of peace and reflection results. The prize is multifaceted, manifesting either as a damsel in distress, a powerful relic, or a shift in the climate of the realms.  At this point, the hero finishes the journey back to the ordinary world, but things will never be as they were.

—Conclusion—

Others Variables in the Hero’s Journey

While the hero’s cycle is a general formula for a fictional plot, there is a multitude of additional elements, such as sub-cycles that stretch throughout a trilogy. Sometimes, the hero cannot return to society as they are, instead choosing a form of exile to live a new life more suiting to his or her needs.

How The Hero’s Journey Relates to Readers

The Hero’s Journey repeats in every good fiction; it’s a retelling of human life, the growth of a person into a mature and wise individual. It is a blueprint from which anyone, as a soul, can appreciate the heroic archetypes and make changes for a more prosperous, happier life.

Thank you for reading, and happy Memorial Day! 🙂

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Book Review: Eragon book 1, Inheritance

 

 

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Greetings and welcome back to yet another book review that I’d love to share with you all! 😀 I recently returned to the Eragon series to enjoy Christopher Paolini’s writing. Eragon is a fantasy epic series spanning several books.  This review will focus on the first book, and I’ll keep spoilers to a minimum.

Eragon, book 1: Inheritance

Premise

Inheritance is a big book at around 600 to 700 pages. The plot focuses heavily on worldbuilding and adventure. There are some great fight scenes and a subtle flair of romance—although this is more apparent in book two: Eldest.

Describing Inheritance in a few words, I would say—adventure, travel, and whimsical. The plot feels very unique, although it builds off traditional fantasy tropes such as elves, dragons, and dwarves (nothing wrong there).

Characters

Sadly, there aren’t many main characters in Paolini’s first book. Eragon is the young hero who finds his mentor, Brom, and a dragon hatchling named Saphira. They travel together, meeting a few characters along the way, but the overall cast feels small and lacking.

On a brighter note, the dialog and pacing within the story are excellent and some of the best I’ve ever seen. Paolini’s books are easy to read and have a fantastic immersion factor.

The main villain, a mad king named Galbatorix, you only hear about remotely, and he comes off as your traditional psychopathic villain. That may seem cliché, but Paolini presents the mad king in a charming and workable manner. Galbatorix also has lore that helps explain his past.

Magic System

The magic in the Eragon series is whimsical and fantastic, producing everything from fireballs to flight and object manifestation. It’s a soft magic system as has few rules others than the practitioner being gifted and trained in the arts.

I was surprised how quickly Eragon acquired magical techniques from Brom; then again, Eragon is the main character, so I let it slide.

Romance

Inheritance has very little romance, but it sets the stage for Eragon’s love interest in book two. Paolini did a better job at it with his second book, and it shows progression in his writing ability. Keep in mind he wrote book one when he was seventeen.

Conflict

The tension in Inheritance is predictable yet entertaining. It illustrates the timely fantasy battles you’d expect with orcs, elves, dwarves, and other creatures. At times the conflict felt drawn out or lacking, but overall it’s enough to keep the reader at the edge of the seat.

Overall Summary

The Good

Inheritance has incredible pacing and detailed dialog in a convincing fantasy world. You’re guaranteed to immerse yourself in this unique, whimsical land filled with dragons, magical swords, and evil kings.

The main characters are well written and suit their roles well, establishing a fantasy epic that ages well into later books. The reading is fluid and dynamic while challenging readers on occasion.

The Bad

Although the characters are excellent, there are only a few of them, and the cast feels small and compact. At times the premise and tension slogged or felt linear, reduced to nothing but traveling with little plot.

The Ugly

Inheritance feels linear and could have used more characters and subplots to enrich its premise. Fortunately, the second book does it all, and more—once I get to a review of that novel.

My rating for Inheritance: 4/5 stars—good

Inheritance isn’t a perfect book and suffers from a dearth of main characters and plot depth. Yet it has a beautiful, simplistic design that just works. In particular, the magic system is enjoyable to read about, and the ancient language shows immense worldbuilding that Paolini emphasizes in his later novels.

If anything, Inheritance is the stepping stone that introduces readers to the world of Alagaësia. If you’re a fan of fantasy, I would certainly recommend this book—but then continue on into the second novel to get a better idea of the series. Eldest fleshes Paolini’s world out in ways that Inheritance never did.

Thank you for reading. Have you any thoughts on Inheritance or the Eragon series? Leave it in the comments below. Love and gratitude to all my readers. 🙂

 

 

 

 

 

 

 

 

 

Writing, Book Reviews, and Reflections of the Self—a Spring Time Revelation

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Hello to all my lovely readers. 🙂

It’s been a steady month, working on my blog, doing book reviews, and revising my manuscript for Dragonsblade. I would like to thank all my alpha and beta readers—for all the feedback you’ve given me so far.

My WIP: Dragonsblade

Dragonsblade has progressed much in this past month alone. As I improve the story, I’m growing closer to my characters, particularly Pepper Slyhart and Tarie Beyworth. I’ve learned so much about POV depth alone—very exciting!

I’m always looking for more readers. If you’re interested, contact me via this site or check me out at www.betareader.io. My beta book cover has a big green gem on it. Thanks.

An Interesting Perspective on Writing

The other day, I ran across an article by a fellow blogger. She talks about the craft of writing and how we can use it in unique ways. I’d highly recommend checking it out here. Her blog is equally fantastic and has plenty to offer on the fundamentals for writers.

Book Review: The Faded Sun

A few weeks ago, I finished a sci-fi trilogy called The Faded Sun. I did a book review on it here if you’re curious. The books do a great job describing alien cultures, and I found the relationship between the main characters to be cute; the prose was a bit dry though, and the characterization was subpar.

I have more fantasy and sci-fi book reviews in the works. Stay tuned for more. 😛

Introductions of a Novel: Essential Tips, Tricks, and More

My article on false starts, introductions, and more contains vital information on writing the beginning of a novel. I suggest you check it out if you’re a writer. It has some nifty tips and amusing allegories.


That’s all for now, my dear readers—thanks for stopping by. I hope you’re having a lovely spring and be sure to enjoy the weather before it gets too hot. Cheers. 😀

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False Starts and Introductions to Novels: Too Cliché or A Forgotten Skill?

 

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“At dawn, the sun either shines itself or hides behind clouds, promising what the day will bring. So it is with introductions in stories.” —Ed White

Most agents and editors would balk at the suggestion of a false start intro to a novel. On its own, there’s nothing wrong with an exciting beginning, so long as it’s done well. Then again, the last time I read a false start in a novel was years ago. Is it now a forgotten technique, shunned by writers?

The problem is that false introductions are usually poorly done and give off a flat feeling for the rest of the book. If you’re a writer developing the draft of your novel, then this article is a must for you.

—Introductions—

Those First Introduction Paragraphs

The first few paragraphs of a book introduce an author’s style—his or her prose rhythm, subtle insecurities, and other narrative patterns and issues. A book is like an onion; it has layers of emotional and mental components embedded into the prose.

This is especially the case in early drafts, where the author is still figuring out what he or she wants to do with the story. Analyzing one’s writing patterns in drafts can lead to improvement and growth of a writer.

A Handy Exercise on Introductions in Prose

There’s an exercise in this article that I recommend. You examine the first 250 words of your story. Heavily. Dissect it, break it apart, and ask yourself:

  1. What is the purpose of this introduction?
  2. Why is it set up like this?
  3. Is there a hook for the reader?
  4. Is the introduction short enough for the sake of clarity and pacing, but long enough to express its purpose?
  5. What patterns does this intro reveal about the book as a whole?

These questions are by no means exhaustive. Invent your own questions and discover how many perspectives and shades of grey your introduction can produce.

The first 250 words are crucial to the rest of your story and should let the reader what they’re in for. Most readers picking up a book at the store—or skimming over it on Amazon—will do this to see if the story interests them.

—In the Reader’s Best Interests of Introductions—

Keeping Introductions to Novels Interesting

I once heard a fellow writer say:

“Stories are like skirts. They have to be long enough to cover everything, but short enough to keep things interesting.” —Anonymous

Now, while that might not be the cleverest of examples, he did have a point. Stories, and particularly introductions—since introductions are a significant part of your prose—should be short and sweet, including everything that should be there.

Hooking Readers in the Introduction of a Novel

Here’s a helpful article on hooking readers in the introduction. The author mentions driving the prose with curiosity and conflict—elements that provoke the reader, tempting them to read further.

You can also use internal dialog or exposition to hint at a character’s insecurities, flaws, or other issues. I’m not big on exposition myself—too many writers turn internal narration into a dry monologue that is boring to read through, but that’s a topic for another time.

Stress is…Good for Readers?

Readers love stress and anxiety in a story; they hate it in real life—so, give them what they want, am I right? And do it early on, promising them the reward they will receive if they delve deeper into your story. Dangle that carrot!

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Don’t be Afraid to Use False Introductions

Approach your introduction with a sense of clarity and enjoyability for your reader. Have a plan for your intro, and reflect throughout the rest of your book. The promises you make in those first 250 words should come full circle. Otherwise, your introduction is nothing more than a prop that can not—and should not—stand on its own.

—Concluding an Introduction—

Striking a Balance

In summary, an introduction to a novel is a significant part of the writing process. Take your time with it, and review it on a routine basis. Even after your twentieth read through, you may yet discover new insights about yourself as a writer.

Ask yourself:

Is it long enough to cover everything? Is it short enough to keep it interesting? Does it dangle the carrot appropriately, leaving the reader begging for more?

If you can bond your reader with your main protagonist and the story within the first few paragraphs, then congratulate yourself; you’ve accomplished a feat that most writers struggle with.

Final Words

Beginnings are always the funniest part of a new story, but they can also be the hardest. I hope this article has provided you with some semblance of wisdom in your writing journey—I’m by no means a professional myself.

Thank you for reading. Love and gratitude to my readers! 😀

Hit the “like” button below if you enjoy what you see to stay informed of this blog’s updates. Also check out a recent article I did about meditation, creativity, and writing. Thanks.

 

Dreams of the Scarlet Swordswoman #8

person sky silhouette night

Here’ some more creative writing from a dream segment in my upcoming book, Ethereal Seals: Dragonsblade. I had fun writing this part of Pepper’s dreams. It’s more philosophical and spiritual if anything. In the meanwhile, I’ve been super busy writing, rewriting, and revising the book segments from the feedback I get. Any feedback in the comments here is also appreciative. Thanks.

Alternatively, you can check me out at betareader.io. Also stop by my creative Twitch channel for gaming, writing, and artwork.

Anyway, I hope you enjoy this little tidbit and thanks for reading! 🙂

 


Pepper woke with a start, beholding an ocean of stars. The blackness of space drew her in, stealing her breath. Each star twinkled like facets of a white gemstone out of her reach. A chill ran up her spine at the view of the vast cosmos. Comets, nebulae, and multiverses spiraled around her.

“What is this?” she said with her brows arched.

A tusked bear materialized before her, its body muscular yet aged, golden fur tingled with gray. Licking its paws, the beast marked her cheek with its mitt before walking away. She shouted the bear’s name, her hand outstretched, but he did not heed it. With a howl, the animal vanished into stardust.

Confused, she paced forward on an invisible floor, each step echoing around her. A comet crashed into a small star with a massive explosion, scattering the remains like children’s toy blocks. Pepper gasped and shielded her face, but the shockwaves passed through her harmlessly.

Pepper opened her eyes. Instead of a destroyed moon, crystalline dust scattered around her vicinity. Then the cosmic sand shimmered, coming together at a point. A small flame developed, growing larger.

She stared at the sight, her jaw slack, as the flame grew beyond her line of sight. It was now a star, too massive for her to gauge. Then smaller particles of dirt came, rotating around the star like a solar system.

“Are those planets? What’s going on? Where am I?”

She tried to turn away from the awesome sight, but couldn’t. Countless universes flashed before her eyes: death and birth; an endless cycle of life and transmutation—of alchemy. She saw the future and the past, meshed together. Images of herself flashed before her eyes. She saw herself as a different, but a familiar person—a female soldier. Another vision came, as an old man; others like animals, insects, plants, and even stars. She became it all, merging with the universe.

“Please stop, whatever you are,” Pepper cried, vaguely aware of her body. She grunted and flailed her arms against the cosmic seduction.

The frequency of visions increased, hundreds flashing before her eyes each second.

“No more, please!” she begged, falling to what she assumed were her knees.

The visions ceased as abruptly as they began, leaving Pepper in the bleakness of space. The sensation choked her, robbing what residue of Creation still lingered within her entity. She hugged herself and sobbed, now empty and alone—a nothingness.

Then, she saw it.

A cluster of multiverses, each shaped like gemstones, condensed into a sphere of white plasma. Around the anomaly, arms of multihued light rotated like rings. She couldn’t count how many limbs the thing had, nor how large it was—size was meaningless—only marveled at the magnificence of what she witnessed.

“The Ethereal Seals?” she said, confused about how she knew it was Gate. She glanced down at a jade sword she held. “It must be my connection to the Gate through my sword.”

She looked up. The Gate flashed and released shockwaves of warm electricity that sent pleasure through Pepper’s body, a sensation she could only describe as divine—not fit for mortal comprehension. The smell of lavender wafted in the air, on her taste buds. Her fingers stroked the tips of the Gate. It was soft and tender.

“What do you want from me?”

The Gate flashed again and vanished, leaving her in the void of space. She then noticed a blond youth—alone in the darkness as she—not more than a few yards away. The young man shivered violently, unable to obtain the heat he sought.

A small girl appeared next to Pepper. The newcomer bore jade twintails down her shoulders and clothed in a silver dress. Her earrings were the shape of swords, and her silver eyes equally as sharp. Her hands curved to a single point, the flesh like metal.

“Master, please go to him,” the little girl pleaded, clasping her bladed hands. She took a knee, gesturing to the youth.

“Dwyrm?” said Pepper, examining the girl, who remained bowed.

Pepper approached the youth on the horizon. Her hand caressed his face, felt the cold sweat on his body, and smelled the herbal aroma of his hair. The touch was like a jolt of electricity through her arm. A warmth grew in his body, and he smiled, his eyes closed, as he cuddled with her. She dug her fingers into his robes, savoring his embrace, a smile on her lips. For a few precious moments, nothing else mattered to the girl.

She was complete and one with Creation once more.

The red girl paused as an ominous shadow formed behind the youth. The image of a black dragon roared and seized the man, drawing him away from Pepper’s grasp. She cried in vain, watching the towering dragon devour him amidst his screams of agony. Fire flared in her spine. She bent double and moaned in pain as darkness engulfed her.

 

 

Poetry, Writing Tips, and More

tree tunnel at daytime

Hello, hello to all my readers. It’s only a week into March and it has been a busy month. I’ve worked on my beta manuscript nonstop, seeking feedback and writing, revising chapters—you know the drill. This journey has been a long one, filled with pain and joy.

If you’re interested in beta reading, check me out on betareader.io here. If the link doesn’t work, look for an ebook with a green gem on it. Betareader is a great website for beta testing longer novels.


I’ve posted some dream segments from my beta manuscript involving the main OC, Pepper Slyhart. They’re a bit poetic and romantic, as they involve her love interest, Tarie Beyworth. The antagonist is a dragon queen, seeking to control Pepper’s heart. You can check out my latest one here.


Although it’s March, it’s never too late to celebrate fantasy and science fiction. 😀 February was #Fantasymonth, and I wrote a fun piece about my interests as a fantasy reader. If you feel so inclined, you can participate in the game here.


Last, but not least, I created a simple list about writing a protagonist, building tension between character and plot, and how to bring it all together. You can check out that post here.

That’s all for now, my lovely readers. The rest of this month promises to be a productive one. In the meanwhile, stay cool and persevere in whatever your dreams are. Love and gratitude. 🙂

 

 

 

 

 

 

 

 

Dreams of the Scarlet Swordswoman #7

She held a demonic weapon in her hand—a monster, a work of evil. Pepper buried the sword in the dirt, broke it, and threw it away. Still, the fiend would not leave. She ran from the weapon, hearing the laughter of the sword claw at her soul.

Destroyed taverns and churches fell behind her, with misshapen demons and soldiers in pursuit. She came to a cliff side and screamed an unsaid name, lifting her hands. The horrors closed around her; at the front of the demons was the dark twin again. She carried a blade likened to a dragon tooth, its length vibrating with power and tearing at space like a vacuum.

The sinister double raised the weapon to strike. The red girl shrank back against the crag as her death approached, screaming the silent name again. The bone stopped inches before its target, and the villain gave a start before the appearance of a newcomer.

A handsome youth had appeared by Pepper’s side with a jade sword raised. While short of stature, his hair was like a waterfall of gold that stretched down his spine. His vest and pants sparkled with gemstones, like a torch of white flame.

Pepper’s twin growled like a wild beast. She backed up before his radiance.

“You shan’t touch her!” the youth cried, pointing his sword out in challenge, his brows furrowed.

The doppelganger roared and swung her bone of fire. The youth caught the blade, deflecting each follow up like a professional swordfighter. Sparks flew from the clash, the heavens trembled, and the earth shook. The antagonist found herself pushed back again.

“You cannot protect her forever, foolish elf. I, Tiamat, shall have her body and mind eventually. You will see.” With a hiss, Tiamat vanished into smoke, and with her, the rest of her lackeys.

Pepper sighed with relief, her hand at her breast. She regarded her savior, who turned to face her. He seemed familiar, but Pepper couldn’t remember his name, like a splinter lost in the deep recesses of her mind.

“Thank you,” she said, bowing. She hesitated and gasped, noticing she wore a long ball gown. Her mouth parted, fingers caressing each ruby, shining like specks of magma. The fabric was soft like silk, interlaced with tiny jewels.

She looked up at the youth, her brows arched in confusion.

He smiled, gently taking her silk glove, his lips pressed on one of her knuckles. “It’s my pleasure, milady. In exchange, could I ask you for one dance?”

“A dance?” she said, blinking. “Okay.”

He nodded and turned towards the cliff face. Heedlessly, he walked off the edge, still holding her hand. She followed behind him, her feet stepping on air as if it were stone. The gray sky turned sunny, and the milieu smelled of honey and perfume. The sunlight reflected off her dress, the fabric shimmering like diamonds cast in the lava of her hair.

Her heart raced, lips curled into a smile as her body tingled with warmth from his strong grip. He gently took her into a waltz, spinning her around, hands at her hips.

Pepper’s eyes never left his when she faced him. She felt the warmth on her cheeks, the passion in her body surging like wildfire for this mysterious man. Who was he?

He paused, holding Pepper close to his face, his lashes grazing hers. He kissed her on the lips, slowly, deeply. She moaned with the experience of his mouth—wet and soft against hers, so comfortable and exquisite.

He pulled back and frowned, hands at her shoulders. “Pepper, you need to wake up.”

“What?”

“Wake up, please. Everyone is worried.”

He released her and she fell from the sky—her invisible floor had vanished. She screamed as she descended towards the black ocean below. The light of the heavens vanished.

Then, everything fractured like glass.