Havok Publishing and Other News

 

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Hello everyone,

The weather has shifted into colder extremes these past few weeks. How have you been handling the cool climate? It’s been another busy month for me and I have some news to share.

Havok Publishing

Recently I submitted a short story for an online Publishing company called Havok. My submission was a 1,000-word fantasy thriller.

The submission had to incorporate what was called Dynamic Duos, or two characters that interact with each other. I’m thinking Frodo and Sam, Batman and Robin, Mario and Luigi, Scooby Do and Shaggy—you get the idea.

Needless to say, I had a lot of fun writing the piece. I’ll hear back from Havok by December. If everything pans out, my story will feature in January’s seasonal release of short stories. Exciting times!

Calling All Beta readers

My beta manuscript, Dragonsblade, still needs one or two more beta readers. If you’re interested, please contact me via this site or by email at energyflux2012@gmail.com. You can also use Betareader to sign up for a read. I really appreciate it!

Once I get sufficient feedback, I plan to seek an editor to spruce it up. Then I’m off on the agent and publisher hunt.

To reiterate here’s a quick pitch about the book:

Dragonsblade is a high fantasy novel at 130,000 words, incorporating elements of romance, scifi, and adventure. The main characters, Pepper and Tarie, enter a war against a shadow goddess and her dark druids. Pepper deals with draconic madness threatening to take over her body, while Tarie discovers the horrible implications of the war.

Tempest of the Dragon

Meanwhile, I’ve resumed my work on my second WIP, Tempest of the Dragon. Unlike the high fantasy world of Dragonsblade, this story takes place in ancient Japan, incorporating elements of Japanese mythology. The manuscript is only at 30,000 words—I plan to reach between 100,000 and 120,000 with it.

Here’s another pitch:

Kyosenko, a young samurai, discovers a girl named Mina, a cursed black dragon in disguise. He vows to protect the ensorcelled girl with his life,  venturing with her across ancient Japan and its mythological creatures to a mountain only heard in rumors—a place where Mina may find eternal rest. But there is another threat, an organization that wishes to capture Mina and abuse her draconic powers—the Kaji Clan.

Thanks for reading. If you like what you see, click that “follow” button below and share this content with your friends and family. Thanks again and enjoy the Fall weather while you can. Cheers. 🙂

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I’m not dead!

 

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Hey there, my loyal readers. No, I haven’t been hit by a bus or anything. I’ve been quite busy with work and other things at home. I also took some time to rest and heal myself—something I’ve neglected for far too long. When things settle down, I plan to get back to my blogging routine.


If you missed it, I did some poetry from my WIP, Dragonsblade. It’s called The Ballad of Atläs. The poetry details some of the events within the world of Atlas, namely with the protagonist.


Are you interested in alternative health and conspiracy theory? If so, I did a fantastic review of Edgar Cayce’s work. The book was a blast to read through with all the outlandish ideas it presented. I also did a review of the Law of One series.


How does a writer make his or her work more concise? In an article by a fellow blogger, I shared some of the most devilish words you should avoid. I followed guides like this and I shrunk my WIP from 140,000 words to 130,000 words if you would believe!


A while ago, I did a tutorial on basic map making for fantasy scenarios. The process requires only freeware digital art programs (and a little elbow grease).

For those who don’t want to mess with digital art programs, you can use an online website like Inkarnate. This website allows you to design fantasy maps free; for premium, you have access to additional features.


That’s all for now, my lovely readers. I have some amazing ideas to share with you when my writing juices start flowing again—sooner rather than later. Stay awesome. 🙂

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Ethereal Seals Front Page Redesign!

(This is a replica of my newly designed front page. It serves as a reflective essay and cataloging exercise. I talk about my WIPs, objectives of this blog, and other goodies. I hope you find this post engaging and informative. Thanks for reading.)


 

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Hello, my name is Ed White. I’m an aspiring writer and graphic designer, developing my skills for a host of writing and art projects. I’ve been a designer all my life, and I regularly strive to improve myself through the feedback of my community.

Below, I’ll discuss what projects I’m working on as well as what you can expect from this website.

—Introduction—

 My Goals

As a student of the quill and brush, I enjoy exposing myself to new media every day. These include books, movies, video games, and real-life scenarios. I’m currently working on two manuscripts:

  1. Dragonsblade—a high fantasy novel, part of a series
  2. Tempest of the Dragon—a historical fantasy novel set in ancient Japan

I’m also working on a few short stories with the writing groups in my area. I plan to publish these creative works in the future and share my stories with the world.

What You Can Expect Here

Here’s what you can find on this blog:

  • Writing tips
  • Short stories
  • Digital art
  • Rough manuscript tidbits
  • Reflective essays
  • Anything else I think of as I go along

—Book I: Dragonsblade—

Here I’ll discuss my primary writing projects, beginning with an overview of the WIP and a synopsis.

History

Dragonsblade was my first major writing project. It started as an idea between friends in high school. Over the years, the story and characters evolved into a detailed manuscript spanning several books.

About Dragonsblade

The first book is a 130,000-word manuscript. Catering to fantasy and sci-fi readers alike, this high fantasy novel incorporates a combination of creative and spiritual elements that are seen in books like Eragon and Star Wars.

Synopsis

Pepper Slyhart, a reviled—yet innocent—half-dragon in the world of Atlas, believes she’s worth more than what her gender or race suggests. She finds her dreary life shattered during a casual day with her friend and clergyman, Tarie Beyworth.

Through the will of a hermit named Razaeroth, Pepper inherits her father’s old sword. Pepper learns of a clan of druid fanatics, bent on overthrowing Atlas’ decaying empire for the sake of civilization. She vows to stop the druids and save Atlas as a knight blessed by the gods.

#fantasy #highfantasy #sciencefiction #romance #adventure #spirituality

—Book II: Tempest of the Dragon—

Tempest of the Dragon is currently an alpha manuscript and still in development. I intend to work on this book earnestly once Dragonsblade is published.

History

I have always been a fan of Japanese works—anime, manga, and historical facets of Japanese culture. Tempest of the Dragon is my creative passion using that intrigue for Japan, particularly the mythology.

About Tempest of the Dragon

Because the manuscript is unfinished, I can only give estimates about the book. I am aiming for a 100,000 to 120,000-word range. The story will cater to fantasy and historical readers. There will be hints of romance and spiritual concepts as subplots.

Synopsis

Kyosenko, a samurai outcast in Japan, discovers his destiny with a girl named Mina, a cursed Black Dragon in disguise. He vows to protect the ensorcelled girl with his life,  venturing with her across ancient Japan—to a place where Mina may find salvation for Japan. But there is another threat, an organization that wishes to capture Mina and abuse her arcane powers—the Kaji Clan.

#fantasy #romance #adventure #historicalfiction #spirituality

—Other Works I’ve Published—

America’s Emerging Poets 2018 New York & New Jersey

There are few places as attuned to language as New York and New Jersey. Two perpetually groundbreaking states, they’re home to major industries, high culture, and a level of diversity unlike anywhere in the world. Their residents speak in countless languages, but the same gritty pride rolls off every tongue, especially in poetry. And in America’s Emerging Poets 2018: New York and New Jersey, 70+ up-and-coming poets have their own chance to shine.

Covering a wide array of topics ranging from love and heartbreak, family and friendship, the inherent beauty of nature, and so much more, these young talents will amaze you. Containing one poem per poet, this anthology is a compelling introduction to the great wordsmiths of tomorrow.

#poetry #nature #family #romance

America’s Emerging Poets 2019 New York & New Jersey

In New York, history comes alive. The cascading waters of Niagara Falls and the verdant Catskill Mountains exemplify nature’s beauty, while the bustling metropolis of New York City pulsates with the hopes and dreams of eight million residents. In the Empire State, poets have the world in their hands.

And in New York’s Best Emerging Poets 2019, 50 up-and-coming poets have the chance to share their own worlds. Covering a wide array of topics ranging from love and heartbreak, family and friendship, the inherent beauty of nature, and so much more, these young talents will amaze you. Containing one poem per poet, this anthology is a compelling introduction to the great wordsmiths of tomorrow.

#poetry #nature #family #romance

—Thanks for Reading—

On a final note, I would like to thank you for visiting my webpage. I hope you enjoy the content produced here. I cherish any feedback and support from my viewer base, be they comments, likes, or sharing my blog to others.

Click that follow button below to keep in touch with updates. Cheers.

The Ballad of Atläs

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Atläs, mother of all
Throughout the years watched us grow tall
For many years, Tiamat ruled this land
Her draconic legacies spread like sand
In the heavens, a star shone
Sending chaos onto Tiamat’s throne
Long we have witnessed the ravages of war
Of demons, giants, ogres, and more
We plenty have much to repair
Lest calamity once more brings her care
The Gate will see us through
Or break us until we relearn what we knew
Guide us, divine Aspects; show us the way
For only through ourselves will harmony stay
Plenty would Ronald’s avatar wail
But to observe the strength of Tiamat’s renewed tail
Still, she claws at hearts with her call
Through mortals, dragons, and bastards most of all
Now darkness gathers around, priming for evil to rebound
Yet a hero may rise to meet the temptress
To foil curse, shadow, pride; strong yet relentless
A divine blade will shine free
Guiding the hero towards destiny’s tree
Guide us, holy Aspects; brighten the past
For only through peace, will the future last
—Lily Hymnfoot

SEO Articles, Poetry, Book Reviews, and Other Goodies

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Hello, everyone. It’s been a busy summer for me; between working on the family garden, editing my manuscript, reading,  family business, and working with beta readers—I’ve been swamped with work. I also have a prospective job at a local store starting soon—they support local writers and it could be a major stepping stone for me.

SEO Articles

And how has your summer been, my lovely readers? Long, lazy days or full schedules? If you get the time, check out my recent post on writing SEO articles. It’s a fantastic read if you’re a blogger yourself or write articles for a living. Who knows, you might pick up a tip or two that you didn’t know. 🙂

Blogging Tips

Speaking of blogging here’s a post from a fellow blogger—what to blog about for unpublished authors. It’s a nifty post and definitely worthwhile to check out.

Artwork on Patreon

I’ve been working on artwork for my book cover and original characters. My new Patreon page is in the works and will feature some cool content related to my upcoming book: Dragonsblade. Subscribe if you’d like to support me. Thanks.

Book Review: Dream Waters

I did a book review of Dream Waters, a paranormal romance novel with fantasy elements, set in the present day. The author is a local writer where I live—she writes good work, so please check out her novel. Thanks.

Poetry Publication!

Lastly, my poem was selected out of a pool of candidates for publication by ZPublishing again! I’ll have a link to the product page when it becomes available. Exciting times! 😀


That’s all for now. Stay cool in this hot weather, my readers. Cheers.

 

Book Review: Dream Waters by Erin A. Jensen

 

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Hello, everyone, I’m back with another book review—the Dream Waters series by Erin A. Jensen. I’m currently on book three of the trilogy (the author may write a fourth) and wanted to give my impressions of the story so far.

I’ll keep spoilers to a minimum. 😉

—Dream Waters—

Premise

Dream Waters is a fantasy/romance series set in the present day. The gimmick of the story revolves around worlds set in dreams, where people can turn into fantasy creatures like fairies, elves, and dragons when they sleep. Sometimes the dream world can overlap into the real world.

There isn’t much action, and the worldbuilding is more on the mild side. Instead, the story focuses more on dialog and character interaction.

Length

The word counts for the first two novels are around 400-500. Chapters are usually short and keep the prose moving.

Characters

Jensen does an excellent job with her characters, and the exchanges are very amusing, pushing the prose forward through humor and drama. The main characters are easy to connect with, as the story uses a first-person multiple POV scheme. Each character’s POV sounds unique and breaths life into the chapters.

The antagonist is compelling and acts more like an anti-hero who works with the protagonist, albeit the two are also romance rivals for the same woman. It isn’t until later that the real villain reveals himself.

Magic System

Dream Waters uses a fickle and whimsical magic system in the dream world that isn’t explained much. The author could have fleshed it out more to create story depth and intrigue for the reader.

Romance

The story is loaded with romance scenes, some of them rather graphic and very promiscuous. Dream Waters uses this heavily to create romantic tension between the protagonist and his love.

Conflict

Dream Waters sets our protagonist against romantic conflict and the paranormal reality of the dream world. He meets strange, fickle creatures with a diverse set of magical ability. Only by mastering his own skills in his dream world does he have a chance to save his love.

The diverse tension keeps the reader interested and set steady pacing with the short chapters.

—Overall Summary—

The Good

Dream Waters demonstrates an exciting combination of fantasy, romance, and paranormal concepts I’ve rarely seen elsewhere. It has solid pacing and excellent dialog. Any lover of romance or fantasy will enjoy this book.

The main characters are well written and provide fascinating story arcs.

The Bad

The descriptions of characters, places, and emotions leave room for improvement in certain scenes. The emotional details are cliche at times and without much diversity.

The Ugly

When descriptions kick into overdrive, Dream Waters has heavy use of profanity and graphic details, which may turn some readers off.

—My rating for Dream Waters: 3.7/5 stars: a worthwhile read—

Dream Waters has a special place in the romance and fantasy genre. The unique combination of tropes and characters makes for an entertaining novel that keeps the reader turning pages and moving the story along.

The story excels in certain areas, while it lacks in others; and the prose isn’t the best. The use of graphic scenes might turn some readers off. Additional details on the magic and dream world systems would have strengthened the world-building aspects.

Overall, if you’re a reader who loves amusing characters, fantasy tropes, fluid dialog, and deep romance scenes, then Dream Waters will be an excellent choice.


Have you any thoughts on Dream Waters? Leave it in the comments below. Thanks for reading and have a great July 4th! 🙂

Developing Conflict and Resolution in your stories

Developing conflict is essential to a good story. Often this takes place between protagonist and antagonist. Remember to keep your readers at the edge of their seats, and they’ll keep flipping pages. Here’s an article from a fellow blogger that explains what I mean. Cheers.

Lorraine Ambers

Characters are the heart of a story, the plot is its skeleton, but the blood running through its veins is conflict. Without it, your characters have nothing to fight for, no arc will develop, and your plot will wither and die. In this post, we’ll explore the internal and external conflict to resolution elements that could be evoked to create a truly dynamic novel .

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The protagonists traits need to be carefully selected for each story. Their backstory will colour their personality, and mould their goals. It’s important to understand where their character journey starts, so that you can plan for their reactions by understand their limiting beliefs. You should know what they want, and what needs are hidden beneath.  

Within the protagonist is the delicate balance of their life’s story, and before the plots even started, there might be an internal conflict brewing beneath the surface…

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Book Length, Word Count, and Readability in Writing

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The length of a book can be a vital factor in its success. It may not appear to be at first, but there is a formula followed by countless writers and publishers. Depending on the target audience, genre, readability, and book type, the word count in a book can vary substantially.

That said, there are always outliers—books that have done well outside of word count brackets. If you’re a writer with questions about how long your writing should be, this article is for you.

—Book Length Guidelines—

Although there is no fixed word count, there are generally recognized guidelines depending on genre and audience.

Audience

Younger audiences have smaller attention spans and therefore cater to short, fast-paced book length. Adults are more tolerable with longer manuscripts. For example, YA (young adult) will—usually—be less than the book-length for a more mature audience.

Age group word count examples:

  • Poetry: 5 to 3k
  • Picture Book: 400 to 800
  • Play: 1k to 32k
  • Middle Grade: 25k to 40k
  • Young Adult: 50k to 80k

Genre

Book genres, of course, play an essential role in the word count of a novel.  Science fiction and fantasy works tend toward a high word count since the writer develops a fictional world from the ground up. This takes time to describe all the new rules and phenomena associated with such a fictional universe.

Historical fiction, Young Adult, Westerners, and Mysteries prefer a lower word count—of course, there are always exceptions.

Genre group examples:

  • Romance & Erotica: 40,000 to 100,000 words
  • Mystery/Thriller/Horror: 70,000 to 90,000
  • Horror: 80,000 to 100,000
  • Historical: 90,000 to 100,000
  • Sci-fi/Fanasty: 90,000 to 140,000

General Book Types

Depending on the type of book you intend to write, word count plays another significant factor. Flash fiction and short stories are, of course, brief, but powerful tales. A novella—for those who don’t know—is a compact novel, longer than flash fiction and short stories, with a fleshed out story and characters; ideal for a quick read.

Book type examples:

  • Flash Fiction: 300 to 1,500 words
  • Short Story: 1,500 to 30,000
  • Novellas: 30,000 to 50,000
  • Novels: 50,000 to 100,000

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—The Endgame—

You can have your long epic fantasy and do well with it. However, for new writers, it is best to start small and work your way up. A book-length that is simple and sweet reads best.

Legacies

Once authors have a handful of books under their belt—and a fanbase—they can gamble a little more. Agents and publishers can reference this track record, and this increases the chance the book gets published regardless of word count or even prose finesse. If you have enough avid fans who will buy the book, publishers will overlook certain shortcomings, since they know the books will rake in profits regardless.

For this reason, some authors have started small in self-publishing like Michael J. Sullivan before they hit the goldmine.

Quantity Versus Quality

Quantity alone does not a good book make.  You have to earn your manuscript, one word at a time. If a document is 150,000 words long but fills its pages with redundant vocabulary, it probably won’t read well to the eye of an agent or a casual reader.

Adverbs and excessive prose often slog writing; an attempt by the writer to look professional. As a general rule of thumb, the shorter the word/phrase is, the better. The simpler a manuscript is, the more people can read it, and the more can enjoy it.

Reading Level

The average reading level for America is around the 8th-grade mark. If the author wants a book to read smoothly among a wider audience, then a book should read close to this level. By using simpler and shorter phrases, the readability of the prose goes up.

Higher reading associates with scholarly articles and doctoral theses; that’s the point of them, to demonstrate a graduate’s intelligence. Informational articles like this one can calibrate higher; their purpose is to inform and advise. Fictional novels, especially YA and children books, are for people to enjoy and immerse themselves in an easy-to-read environment.

Word Impact

Each word in a manuscript should contribute to the book in at least one of the following ways:

  • Character progression
  • Plot development
  • Environmental immersion
  • Reader enjoyment

There are exceptions, but if you find a word that doesn’t fit one of these criteria, it can usually be removed. You don’t want to be overly descriptive either as that slogs the pacing and reduces readability.

Chapter Impact

Chapter length can also have an impact on readability and word count. Short chapters organize a book better, improve readability, and leave readers with a sense of satisfaction when they count how many sections of the book they have finished. Shorter chapters also make for good stopping points when a reader needs to put the novel down.

Longer chapters are tedious, but sometimes necessary when a section of a book demands enough information or plot progress to benefit the story and characters. In this case, scene breaks are good for breaking down long chapters.

Reader & Writer Relationship

Half of telling a story comes from the reader’s imagination; give half and let the reader form the rest. This stimulates the reader’s mind, bringing with it a sense of fulfillment.

A book is as much of a journey for the writer as it is for the reader. If you can provide that opportunity—for a reader to have fun and explore—they will flip pages nonstop and won’t care about book length.

—Conclusion—

The length of a book is up to the writer, depending on his or her goals and ambitions. Identifying core variables like the audience, genre, book type, readability, and the author’s legacy are essential to the process. Authors who have built up an impressive resume of stories can skirt the rules.

A writer must first do the research, just as a builder must first draw out blueprints for a house—and research the terrain. Each brick of a manuscript’s foundation should be carefully placed with meaning. If you do this, your house of stories will last against the elements of agents, publishers, and critics alike.

Here’s a free online program called WordCounter that not only checks the word count in a written document but also checks the reading level, reading or speaking time, and word frequency. Just paste your work into the program, and it will analyze everything for you automatically.

Thank you for reading and good luck in your writing endeavors.


If you like what you see, hit that “follow” button below. Thanks. 🙂

 

 

Fantasy Book review, Mistborn #1: The Final Empire

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Hello to my readers. Cheers to another book review. I read a fascinating series weeks ago and thought I’d share my thoughts on it. I’ll keep spoilers to a minimum.

With that said, let’s delve into Brandon Sanderson’s world of intrigue, magic, and adventure.

Mistborn, the Series

Premise

Mistborn is an epic fantasy series that spans multiple books. The story also incorporates some dark fantasy elements. Each book is long—and well worth it. Expect to invest time in each installation if you so desire.

If I could describe Mistborn in three words, it would be—gloomy, epic, and intricate. There is a strong sense of adventure too, though most of the plot takes place within a capital city. This didn’t stop Sanderson from developing detailed worldbuilding.

Characters

The main character, Vin, struggles to understand herself in a turbulent world of war, oppression, and darkness. She meets many characters in her journey, most that popped out of the page for me, the reader.

Sanderson did an excellent job with the characters. The cast came off as likable and amusing. There were a few scenes where I laughed and had to reread for the fun of it. Sanderson knows when to cut the tension with old-fashioned comedy relief—an essential element in manuscripts, by the way.

The villains were sadistic enough—and arcane enough—to warrant interest. The antagonist in book 1 is practical a god who survives decapitation, experiences immortality, and can manipulate thousands of people at will. Talk about a challenge for the protagonist!

Magic System

The magic in Mistborn is intriguing—an alchemical system where a person burns metals within the body. Each metal provides a specific power when burned. The effect is usually temporary and limited by the metal resources at hand.

Superhuman feats are common in Mistborn, so, expect some Avengers-grade thrills. The action blew me away and kept me reading. It is refreshing to see supernatural action mixed it for once rather than the usual sword or gun fighting.

My one complaint is that the action is a little confusing with all the unique terms. Brandon Sanderson could have improved on the readability during these scenes. I sometimes skimmed over the fight scenes because they weren’t easy to follow.

Romance

The romantic interest for the main OC, Vin, starts late in the book and builds up gradually. It may not read like the best romance novel—and came off a little flat to me—but it fits in well enough with the plot and characters.

Romance does play a stronger role in the second book, Well of Ascension; admittingly, Sanderson did a better job of it in the second installation.

Conflict

Mistborn is rife with conflict—another good detail of the book. I couldn’t go ten pages without feeling sympathy, pain, or anticipation. Sanderson knows how to keep the pages turning—never a dull moment.

I sometimes compared the feeling to Dragonlance—another favored series of mine.

Overall Summary

The Good

The characters, magic system, conflict, and atmosphere of the book are my favorite elements of Mistborn. It set the proper tone for a dark fantasy epic novel. I imagine I’ll be rereading it again in the future.

The Bad

The action/combat scenes were confusing, and the romance was not deep enough. I feel Sanderson could have developed these scenes more. Regardless, they weren’t terrible and never impeded the book’s flow beyond a few pages.

The Ugly

There were a few graphic scenes in Mistborn, some which made me pause (not in the wrong way, mind you). I’m all for gore and blood if it helps add dimension and immersion to a book. That said, this book isn’t nearly as extreme about it as Song of Fire and Ice (another excellent book, by the way).

Still, Mistborn isn’t for the light of heart. After all, it is a dark fantasy novel to some degree—and I still enjoyed it.

My rating: 4.5/5 stars—outstanding

Thank you all for reading. This review post was a first for me. If you have any feedback, comments, or suggestions, let me know in the reply boxes below. Love and gratitude to my readers. 🙂


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The Hero’s Journey in Fiction: A Revisit

 

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Years ago, I read a fantastic book named The Hero with a Thousand Faces by Joseph Campbell. In it, the author details the Hero’s Journey. This is a powerful story element that every writer, artist, or screenwriter should understand. It illustrates a protagonist’s adventures, from safe haven to the darkest dungeon—be they literal or figurative.

—What is the Hero Journey?—

The Hero’s Journey is a story mechanic that centers around the protagonist’s progression through the various acts of the story. Typically, there are four acts for each journey, from which the audience witnesses the evolution of the hero.

The first act of the Hero’s Journey introduces the hero, while the second and third act elaborates on their ordeals, and the fourth finishes round circle. You may notice certain tropes or definitions used in each act; these are minor plot elements that form the Hero’s Journey—and some are necessary to flesh out the story.

—Act I—

The Ordinary World

The story begins in the Ordinary World, a mundane realm that may be a safe haven or even a prison for the hero. Here, the audience learns about the hero’s life situation, his/her abilities, fears, and personality.

The Call to Adventure

From the Ordinary World, conflict arises that stirs the hero from complacency. This may be something serious like an assassination or a minor incidence like a strange phone call. The hero now has a choice to pursue the source of the conflict and resolve the issue, or remain in his or her realm.

Refusal

Initially, the hero may be hesitant to leave the safe boundary of the Ordinary World. The hero sees the risks involved and what’s to gain if s/he succeeds. Some stories skip this step with a willing or reckless hero who jumps onto the quest immediately.

—Act II—

The Mentor

The hero encounters the mentor, a wise or experienced individual. The mentor trains and/or guides the hero, providing new knowledge about the nature of the quest. This character is more often an elderly person but can manifest as a younger individual or inanimate object such as a legendary sword.

Crossing the Threshold

The mentor guides the hero away from the Ordinary World to the first Threshold—or the point of no return. The hero’s commitment is tested, determining if the hero is truly ready for the quest. The Threshold is the gateway to a new dimension, far away from the Ordinary World.

Tests, Allies, and Enemies

Now in a world of mystery and danger, the hero learns more about his/her new adventure. This strange world brings a host of challenges, allies, and enemies. Every obstacle is a stepping stone to unearthing the hero’s personality and capabilities. Abilities are sharpened, and pain is endured. Temptations are met, and the hero struggles with his/her inner shadow self.

—Act III—

Approach to the Dungeon/Inmost Cave

The hero prepares to enter the Inmost Cave. Setbacks occur, but the hero endures, priming for the Supreme Ordeal—an inner crisis that demands change from the protagonist. The hero must analyze personal flaws and push forward to complete the quest. This brief respite offers another connection between the hero and the audience as both understand the danger and gravity of the quest.

Supreme Ordeal

The protagonist faces a dangerous challenge, often against the antagonist, risking life and limb to complete the ordeal. The antagonist can also be a dark reflection of a father figure, such as with Luke Skywalker and Darth Vader, with exaggerated flaws of the protagonist. The Supreme Ordeal is a highlight of the hero’s quest, and everything is at stake. S/he must draw upon all the experience from the journey to survive against the antagonist.

Reward, Seizing of the Sword

If the hero succeeds, s/he emerges as a changed person. The hero also receives an award as proof of victory; this might be a mythic sword or artifact, signifying the change in the hero’s life. The hero now prepares for the last part of the quest.

—Act IV—

The Road Back

With the quest completed, the hero begins to travel back to the ordinary world, which is the opposite of the call of adventure. Instead of worry or pain, fulfillment and satisfaction arise. The quest is not done, as the last challenge awaits the hero.

Resurrection

The hero faces a test or battle against the antagonist at the final Threshold—likened to the supreme ordeal on steroids. This ultimate tribulation challenges the hero immensely, evoking his/her greatest fears and requiring all the experience they’ve gained from their quest. Failure may result, leading to the hero’s death, a dearth of all hope, or even a severe injury that mars the hero.

The protagonist is reborn from the flames of demise, returning as a new person–transmuted into the true hero, and no longer the false facade from before. Following the brush of death, the adventurer conquers the final ordeal, or the Dragon at the Final Threshold, seizing the Elixir. Reconciliation with the Father is obtained and the hero is purged, fully equipped to end the adventure.

Return with the Elixir

The adventurer returns to the ordinary world as a changed person—physically, mentally, and spiritually. Using the reward from the final ordeal, s/he improves upon the ordinary world and a new era of peace and reflection results. The prize is multifaceted, manifesting either as a damsel in distress, a powerful relic, or a shift in the climate of the realms.  At this point, the hero finishes the journey back to the ordinary world, but things will never be as they were.

—Conclusion—

Others Variables in the Hero’s Journey

While the hero’s cycle is a general formula for a fictional plot, there is a multitude of additional elements, such as sub-cycles that stretch throughout a trilogy. Sometimes, the hero cannot return to society as they are, instead choosing a form of exile to live a new life more suiting to his or her needs.

How The Hero’s Journey Relates to Readers

The Hero’s Journey repeats in every good fiction; it’s a retelling of human life, the growth of a person into a mature and wise individual. It is a blueprint from which anyone, as a soul, can appreciate the heroic archetypes and make changes for a more prosperous, happier life.

Thank you for reading, and happy Memorial Day! 🙂

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