Ethereal Seals theory

This is a short essay on my original work, Ethereal Seals. I wanted to reflect back on how ES came to me and my intentions behind it, how those have changed, and the ongoing inspiration for my work.
ES started out as a collection of forum postings back when I was in high school. At the time, I mainly fooled around with childhood favorite TV shows, video games, and stories, such as LOTR, DBZ, and The Legend of Zelda. While initially inane and disjointed, over the years they mutated into something more concrete. Then I got into forum roleplaying. I met a handful of people I would later remain close in contact with for several years.
I continued to develop and refine the concepts behind the story, goaded by my forum and Skype peers. Life circumstances changed and I found myself unable to communicate with them much, due to a new job. Frustrated with unable to roleplay, I began writing my own story. My sole intention was to create a short series of roleplays for ES. Now, nearly a year later, I have over 500 pages of a rough manuscript in development. Sometimes I stare at the document in disbelief. Life can twist and bend in strange ways. With my inability to find a career in my college degree, I believe this is a new route blossoming before me.
So, what are my future intentions for Ethereal Seals? Honestly, I can’t tell you the fine details just yet, but I do have a general plan laid out. This story is too far along not to publish it; whether it will be done traditionally or digitally I am unsure. In addition to my story, I’ve been researching the publishing process. I also set up a creative Fiverr gig on the side, which you can view here if interested: https://www.fiverr.com/energyflux
ES is developing beautifully in my eyes. Currently, at over 320,000 words, I am debating whether I should follow the Robert Jordan route with his Wheel of Time series and conglomerate a massive science fantasy epic. I could also go the Dragon Lance road and split it up into individual novels. Either way, I’m confident it will be a success. Once the first arc is done, I have addition sequels planned. This isn’t going to be a short-lived trilogy, but an ongoing project. ES is my life’s work, I’ve come to realize, and it always will be until the day I leave this planet. Whether or not I can take it with me to the beyond and develop it there remains to be known, but if I can, I will. Still, if Ethereal Seals has empowered humanity and set it on a positive future, that alone will be enough. Thank you for reading.

What is a Mary Sue?

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“There’s nothing more boring than a perfect heroine!”

DrosselmeyerPrincess Tutu

 

You’ve likely heard of this term before–I’m sure it’s been written about to death, but here’s my take. A Mary Sue is a female fictional character given a plethora of boons without many (or any) flaws. They come off as flat characters without much potential for growth. A Mary Sue (or Gary Stu for the male counterpart) are often author pets, and the plot or other actors may bend around the needs and wants of a Sue. A figure of this caliber is often unrealistic, as most humans are flawed, and this makes relating to a Sue or Stu difficult.  It is vital in fiction to create a character relatable to your audience. This draws readers in and generates sympathy and a sense of kinship with a fictional hero. Here is an excellent article on Mary Sue traits.

You can garner interest within a character by giving a flaw or two. It could be a personality shortcoming like a short temper or a technical inability to perform an action. Whatever it is, have your characters struggle with it throughout the plot. Give depth to your characters’ flaws and weave it into their evolution. Don’t overburden your characters with defects. Otherwise, they may come off as incompetent actors who can’t move the plot at all.

Here’s a website for testing a character for Mary Sue traits. There are many other types of tests available, but here’s the first I found on a Google search.

While it’s okay if your character has some of these Sue qualities, try to keep the amount moderate. Some authors believe that Mary Sues can have a role in a story. While this can be true for side characters, your main actors should be the most interesting ones; if a Mary Sue serves a purpose for the protagonists or the plot, then it should be fine as long as it’s done correctly.

Here are some ways to add depth to a character:

  1. Play against traditional norms. Give your protagonist a unique quality that sets them apart, but doesn’t raise them up on a pedestal.
  2. Seed secrets within secrets. Utilize thoughts or dreams to evoke intimacy within a reader.
  3. Even if your characters are incompetent, give them agency. Have them act upon the plot and move mountains, figuratively or literally.
  4. Switch narratives. Have multiples main characters each with their own perspective. This adds depth to the plot and its actors. It may even sharpen one of your conflicts.
  5. Have protagonists relate to other characters and build trust gradually. This goes with the above tip, but trust does not happen quickly, sometimes not at all. If you find your protagonist garners a lot of respect and admiration from other actors for little to no reason, you may want to reconsider.

All in all, a Mary Sue can seem subjective to some, but there are hard guidelines to follow that help an author avoid this character pitfall. Be sure to get the opinion of multiple types of readers with different perspectives to ensure your character is as it should be.

Thank you for reading. Love and gratitude to my readers! 🙂

 

On Pepper Slyhart, my OC: the warrior-woman path

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Pepper Slyhart is the main protagonist of my series, Ethereal Seals. She’s a young red-haired woman in her early twenties. With her sheltered lifestyle, Pepper begins as naive and short-tempered. As a farmer’s daughter, Pepper is athletic and physically capable of holding her own. She is a robust and reasonable woman who ventures into a broad world of mystery and danger. Her greatest opponents are her emotions, reflected by her draconic curse.

The warrior-woman story is one less visited. It is different and challenging because it twists the typical narrative of gender roles. I created Tarie Beyworth, her traveling companion, a secondary protagonist, and Pepper’s love interest. Instead of the man driving the story, I reversed the roles. While Pepper is emotional and insecure, Tarie is moderate and self-assured. Their polar opposites complement each other and allow both characters to grow from the other.

As the story progresses, Pepper learns more about the spiritual path from Tarie and her spiritual guides. This is symbolic of both the divine masculine with the divine feminine, going by new age terms. Pepper cultivates humility, patience, love, and gratitude as she grows. She treats her foes differently, gracing them with words of compassion and the steel of her sword if need be. 

Tarie also discovers his own inner insights, but that’s an essay for another time. 🙂

As a male author, developing Pepper on this path has been a challenge. I can safely say I know little about it, but I continuously strive to improve her and Tarie, with feedback from both men and women alike. Although I feel I should have been born a female myself, this gives me a chance to have my own children in a fictional sense, with Pepper as my daughter, but I digress.

 I hope you enjoyed this short reflective article. Thank you for reading. 🙂