October Surprises!

Hey, it’s Ed White, how’s it going? Staying safe I hope? I’ve been a busy-bee working on my manuscript, and I have some splendid news to share, plus free reads from a fellow blogger.

  • When it comes to writing fiction, a map is always handy. In this article, I present a tutorial on how to get started in GIMP and enhance your novel. Or, for those not artistically inclined, you can use a software called Inkarnate to make your maps too!
  • November is NaNoWriMO month! Here are some tips and tricks that should help you if you’re brave enough to take on the challenge.
  • I had the pleasure of working with a fellow blogger and writer on the use of Kindle Create. If you missed it, I highly recommend checking out this article right now! It has a simple rundown of what Kindle Create does and how to use it.
  • My notes on Brandon Sanderson’s 2020 Lecture notes are still raking in the views. Be sure to check it out!
  • I recently did a book review on a non-fiction piece about foraging. I also included a bit about foraging and herbs in Ethereal Seals. Here’s another article on geology and gemstone technology for my world.
  • There are Fall designs and sweaters on Flux’s Esoteric Store of Art right now! Use code FLUX2012 to get 10% off.
  • I finished my beta swap with a co-writer, and her feedback was amazing! I can only say Blade of Dragons is much better now. That said, I know what to change and where to polish, bringing the manuscript that much closer to publication.
  • You can check out my beta partner, Rebecca Alasdair, at her website: https://rebeccaalasdair.com/. Her upcoming fantasy novel is called Graceborn.
  • I’ve been doing some additional revision passes on my manuscript for Blade of Dragons. The story has changed over the past few months, but it’s reading better and better! I truly feel it is nearing completion. At around 130,000 words, this science fantasy is loaded with world building and intricate character arcs.
  • Watching Pepper Slyhart grow as a character has been very fulfilling as a writer and artist. I look forward to developing her further in the sequels. She has been like a daughter to me, a character I will always cherish and reflect on.

Lastly, blogger and writer Richie Billing is spreading the word on free reads for New Adult fantasy. Just click the images below to start reading. I know you’ll love these stories!

Thanks for stopping by!


Interested in joining my mailing list? Members will receive free poetry, special deals, and short stories. You’ll also get the latest news on projects.

Processing…
Success! You're on the list.

Maps in Fantasy Fiction: Tips and Tricks

Crafting a map for a fictional universe can be a handy resource for readers. Not every fiction has a cartographic reference, nor is it a requirement for good work. However, when done correctly, a map benefits both author and reader.

In this article, I’ll give an example of how I create my maps. You can take what you find appropriate and apply it to your projects. Hopefully, this tutorial will get you started. It may be a bit complicated and technical but bear with me.

Setting Up

You can use whatever media you want to design your map. I use a free program called GIMP. Set your image borders appropriately, and use a DPI of 300×300, in case you ever print out the map. Search under advanced settings for this feature.

Layer 1: The Background

When you have your blank canvas set up, first address the background. My personal preference is a basic fill tool. Your mileage may vary, depending on what kind of background your story needs. Most maps are continents, so they require an ocean or blue background.

Something like this:

AtlasMapTutorial1

I did a fill command in GIMP for the ocean backdrop here, then added some darker shades to indicate ocean depth.

Layer 2: Landmass

The next layer I work on is the outline and general fill of the land. Choose a yellow, peach, or brown color that resembles dirt or clay—or do whatever you want of course—for the land color.

AtlasMapTutorial2

You can use a pathing or pencil tool to create the black outline of the land, as shown, then use the fill tool. Most land isn’t perfect or smooth. Go for jagged edges along coasts or coves to simulate water erosion. You can also get creative and design fragment islands.

Layer 3: Land Color/Features

With the general land layer in place, you can focus on the more detailed facets of your map. Color coding. This step can be done in several ways, but in my example, I use pure color to indicate trees and mountains.

AtlasMapTutorial3

I used a light green to represent grasslands, dark green for forests, blue for lakes and rivers, brown for mountains areas, and white-brown for snow. Select all of layer 2 with a wand tool, so you don’t create color outside the landmass.

For the water masses, I went back to layer 2 and erased parts of it. Doing this allowed layer 1 to fill in where lakes and rivers lie.

Layer 4: Additional Land Details

This is another optional and flexible step, depending on what you want for your map. I added redundant mountain figures and then floating islands here. This gave the map more depth.

AtlasMapTutorial4

Here’s a tip: create one mountain figure and then use the clone stamp tool to easily replicate it. This makes it a lot easier! 🙂

Layer 5: Landmarks

Now that you have your land finished, it’s time to add landmarks! What do I mean? Cities, castles, special areas, and so forth. No, you don’t have to draw an entire castle—use symbols to represent them.

AtlasMapTutorial5

I used simple dots with minor details. You can certainly be creative with this and draw one small castle—then, using the clone stamp tool, replicate it wherever.

Layer 6: Map Legend

Every map needs a legend—a reference to tell readers what your landmarks mean. A north arrow or distance bar is also handy. You can make one yourself, or download a free-stock photo.

AtlasMapTutorial6

Position your legend so that it doesn’t overlap over map details. Choose a location where there is a lot of “empty space”; this will add visual balance to your map.

Layer 7: Captions

You need captions that specify major or minor points on the map. Include text for your legend, a title, and any additional information a reader should know. A small bit about who authored the map is also good.

AtlasMapTutorial7

In this example, broader or more critical areas have a larger font size, while minor or smaller areas have a lower font size. If I were to do this over again, I’d probably make the font size for cities a bit larger, but at the same time, I don’t want to crowd the other map details with text. On an ebook or actual copy, the text would scale larger, but in the thumbnail here, it’s smaller.

Also consider using New Times Roman, or Courier. You want text that is easy to read, not necessarily fancy ones like I tried above.

Try adding in a background behind certain captions to improve readability. Don’t make it too sharp, just enough to accentuate the caption’s letters. Notice the difference below:

Layer 8: Border Details

Try adding in some special effects to your borders. This will help your map stand out! Maybe mist or fading out of the ocean. I went with scroll parchment.

Other Things to Consider

You could also add in fantasy details like sea dragons swimming in the ocean, or maybe other mythic creatures that add an “ancient” feeling to your map. Clouds with shadows are nice too. Go wild! Remember, this is your map and fictional world.

Creating maps is a fun activity that adds important detail to your story. A map can be a wide variety of things—and the example above is just a few of them. Remember, there are thousands of ways to design a map, and it doesn’t have to be perfect.

I hope this article has helped get you started with the map making process. Cheers. 🙂


Interested in joining a Mailchimp community? Members will receive free poetry, special deals, and short stories. You’ll also get the latest news on the project, Ethereal Seals.

Processing…
Success! You're on the list.

NaNoWriMo 2020: Tips and Preparation

download

It’s that time again Today’s topic is—you guessed it—NaNoWriMo. It stands for National Novel Writing Month, a yearly event celebrated by writers the world over since 1999.

From November 1st to the end of the month, each writer must produce a 50,000-word novella—first draft version of course. Nobody expects a masterpiece as this is more of a rush-rush creative exercise.

What writers decide to do with the novella after NaNoWriMo is up to them. I’ve heard of some amazing stories emerging from the ritual. I might attempt it myself this year, if time and energy allow. The seasons are a busy interval for most people, and scheduling NaNoWriMo time is crucial. I may just use it to polish up Blade of Dragons.

If you’re brave enough to undertake this challenge, then there’s some important steps you should take days before November arrives.

remington standard typewriter in greyscale photography

1. Determine Your Writing Medium

Do you plan to write on a desktop computer? What about a laptop? Maybe pencil, pen, or even a typewriter? Figure out your medium for creative writing beforehand so you can set up your workplace appropriately.

Stock up on fresh pencils, printing paper, coffee, food, or whatever you might need.

2. Plan and Outline Your Story

Days before, begin thinking about what genre you want to write. Will it be a romance novella or maybe fantasy-adventure? Consider the protagonist and antagonist—the actors that drive the story forward. Your story doesn’t have to be perfect for NaNoWriMo. It doesn’t even have to be good as a first draft, but it should be coherent and have potential.

3. Have a Plan

Create a diary or calendar, something that can set milestones, deadlines, and objectives. Remember, you need to write 50,000 words in 30 days. That’s around 1,700 words a day. Scheduling your progress will improve your organization and help you stay on track.

4. Write, Don’t Edit

For those seeking 1,500+ words a day, you won’t have time to edit or revise. Focus on the writing process only and don’t backtrack, otherwise you may ruin your momentum.

5. Get Excited and Motivated

Nothing kills a project faster than boredom. Be thrilled about your project, just like a sky diver about to plunge from a plane. Remind yourself the reason you’re writing. Is it to improve your writing ability? Maybe you’re finally finishing that forgotten story. Use that focus to propel your efforts and stay on top of your game.

6. NaNoWriMo Is What You Make of It

Ultimately, this event is determined by your goals and objectives. Some participates use it as a means to get motivated and don’t care about reaching 50,000 words. Others see it as a challenge that must be completed, up until the final letter.

Set goals within your means and remember to enjoy the process. If it becomes too hectic or stressful, that will hinder the creative process. Turn it down a notch, or meditate for a while.

NaNoWriMo is a time to get motivated and to explore one’s creative potential, in whatever way chosen. Some writers use it as an excuse to work on belated manuscripts, others on poetry. Then there are those who take the hardcore challenge of developing a whole novella in a month.

Think about what you, as a writer, want out of NaNoWriMo. That goal will be what shapes your experience and what you get out of it. Thanks for reading and good luck. 🙂


Interested in joining a Mailchimp community? Members will receive free poetry, special deals, and short stories. You’ll also get the latest news on the project, Ethereal Seals.

Processing…
Success! You're on the list.
person holding fountain pen

Disease in Fiction

download

Hello, my readers. Today let’s discuss something that’s been on all our minds recently. Yup, that’s right—diseases in fiction. Right now, the world is in flux over the Coronavirus. It has created a bizarre, paranormal society where we’re all confined to our homes, some of us without jobs. The Coronavirus is like this invisible antagonist, challenging all of us right now.

“Plagues are like imponderable dangers that surprise people…” —Gabriel García Márquez

This makes one think: how would such events play into fictional stories? What examples do we see in published works for diseases in fiction?

Below is a list of diseases in fiction. These should give you ideas of how authors design them, both in fantasy and science fiction.

Jorah-Stormbrn

1. Greyscale

If you’ve read Game of Thrones, you’ve run into this ailment. It’s a horrible disease that cause a person’s flesh—and later internal organs—to harden and die. Necrotic flesh coats the victim’s body, offering the appearance of cracked stone.

2. White Blindness

In the book, Blindness, by Jose Saramago, the disease robs its victims of eyesight. The protagonist is a woman who is immune to the ailment. Able to witness the world around her, the heroine must guide her comrades to safety.

3. Inferno

Created by Dan Brown, the Inferno virus renders people infertile. Used by the antagonists as a waterborne agent—and later an airborne one—this disease serves as a potent vector for conflict.

4. Nanoprobe Virus

No so much a biological virus as a form of nanotechnology, the Nanoprobe Virus is used by the Borg in Star Trek to gradually assimilate organic life forms. Victims become drones for the Borg Collective as nanotechnology slowly takes over their bodies.

5. Tyrant Virus

Also known as the “t-virus”, this disease defines the Resident Evil series. Developed by the Umbrella Corporation, the virus was designed as a eugenics project to cull world population and build an army of bioweapons—namely zombies. Umbrella eventually designed variants of the t-virus that affect victims in different ways.

6. Flare Virus

Found in the Maze Runner movies, the Flare Virus eats away at a person’s brain until they become mindless zombies. Like the Tyrant Virus in Resident Evil, the Flare Virus was designed by scientists to reduce world population.

Diseases are—surprisingly—versatile and useful in fictional worlds. An author, if clever, can use this disease as a plot device to strengthen characters and move the story forward. Disease can also be used to create conflict and established a degree of worldbuilding.

1. An Invisible Antagonist

Heroes can defeat a villain they can see and touch—but what about an antagonist that is invisible? Nothing evokes fear in a character like impotence. Finding a cure, or elixir, may be the only hope in defeating this intangible opponent.

2. Atypical Conflict

Diseases in fiction offer an unusual form of conflict—even better if the disease afflicts characters that the hero cares about. Mental illnesses can add further depth to the conflict, as the victim may experience situations that alter memory or cognition—even turning them into an aggressive mutant or monster. Now the hero may have to fight a loved one, offering moral conflict in the protagonist’s conscious.

3. Worldbuilding

A pandemic forces a society to explore its resources, introducing the reader to what’s in the fictional world. An economic slowdown—like we see in the real world—causes shortages of goods and services, forces people into a different state of mind, and encourages innovation in characters.

In short, a virus exposes the innards of a fictional world and allows a reader to become intimate with it.

Diseases in fiction—whether biological, artificial, or magical—drives plot and character progression in a fictional world. It creates atypical conflict that exposes the underbelly of a society—not just in the protagonist—and allows the reader to dissect the morals, financial resources, and technology of an afflicted civilization.


Thank you reading, as always! During these troubling times, perhaps we can derive some meaning from the Coronavirus and how it is exposing our society. Like the heroes of old, we too can defeat this invisible foe and establish a stronger, more orderly world if by learning from our own mistakes and what habits we have buried throughout the years. That said, maybe this virus can be seen as a good thing—a source of inspiration and growth for the human spirit.

Stay safe and healthy out there. And remember, we’re all in this together. 🙂

download

I’m merging my blog with Mailchimp (still in testing). I plan to send out blog news, book promotions, and free gifts once I get it up and running! 🙂

Processing…
Success! You're on the list.

SEO stuff: #coronavirus #disease in fiction #worldbuilding #writing #writing tips #coronavirus #disease in fiction #worldbuilding #writing #writing tips#coronavirus #disease in fiction #worldbuilding #writing #writing tips#coronavirus #disease in fiction #worldbuilding #writing #writing tips#coronavirus #disease in fiction #worldbuilding #writing #writing tips

Book Review: Stalking the Wild Asparagus—and Herbology in Ethereal Seals

A week ago I finished a nonfiction book on foraging. It was a very enjoyable read, as it played into one of my biggest hobbies. It also had me thinking about the herbology in my fantasy novel, Blade of Dragons. I’ll provide a rundown of Stalking the Wild Asparagus, then tie in concepts to my own world building.

Premise

The book is organized like a reference manual. Each chapter describes a specific herb or plant, the lore behind it, how to harvest and process it, and so on. There were several foods, like cattails, which I never realized could be ground for flour.

The author also takes time to describe personal stories associated with each herb and how he went about acquiring it. I found it entertaining and educational.

Prose

The chapters are fairly short and straightforward. The author does a good job conveying information, but some of the terms are outdated. The book was published sixty years ago, so it’s not too surprising. A new reader might get initially confused at this.

Information

As mentioned above, there are useful bits of information in the book. Each chapter has its own lesson: “do’s” and “don’t’s” when handling wild plants. It still fascinates me that one can walk along a trail and gather a whole bag-full of edible greens and herbs.

The author covered everything from wild crab apples, to purslane, watercress, even fishing bluegill from local ponds. Free food, many of which are taken for granted.

This image has an empty alt attribute; its file name is 2-2.png

The Good

Stalking the Wild Asparagus is a handy field guide for foragers and the curious. Considering the times we are in, having access to one of these books may not be a bad idea.

The Bad

Some of the terms and methods explained in the book are outdated and may not apply to the modern reader.

The Ugly

The author is slightly condescending towards races of color and labels he gives. This may create uncomfortable moments for the reader.

Stalking the Wild Asparagus is an effective tool for foragers, preppers, and wild foodists. The outdated jargon aside, a reader will get a lot of use out of this book.

After finishing Stalking the Wild Asparagus, it had me thinking about my fantasy novel and the herbs that Atlas uses. Who says nonfiction can’t influence a creative writer? Exploring culinary and medicinal foods in one’s setting is a fun way to world build too!

Atlasian Herbs

  • Berryshroom: A sweet tasting fungus that enhances the immune system; it is a common side dish in Atläsian cuisine. Berryshroom is often found in dark places, like caverns and bogs.
  • Bitterwort: A vinegary herb used in many medicinal tinctures. When over boiled, it becomes hallucinogenic. Bitterwort is the staple for many medicines across Atlas, although it must be handled carefully with its caustic nature.
  • Frostleaf: A minty and soothing herb with a mildly sweet taste; it is often used for sweetening drinks. This herb grows in very cold regions and is a delightful sight for any adventurer braving the cold.
  • Grassfoot: An herb with a mildly sweet taste; used for garnishes and sweetening tinctures. Unlike its cousin, frostleaf, the grassfoot variety grows on lush meadows
  • Gospelberry: An herb with a potent and sweet aroma; it is unsuitable for eating, but excellent for perfumes. However, if overboiled, gospelberry can make a fine tea. Interestingly, gospelberry often grows near holy sights on Atlas. This earn the berry its name.
  • Ravenberry: A berry with a pungent and sour taste; when fermented, it turns sweet and sour, ideal for alcohol cocktails. Ravenberry’s black hue and indelible dye are its signature features.
  • Savormoss: An edible lichen prized for its nutrition and delicious, pungent flavor—if you can stand the sour aroma. Savormoss grows everywhere and its prized for its abundance.

Preparation in Ethereal Seals

I drew from alchemical methods in Earth’s history when devising herbal preparations. Many Atlasian herbalists use cooking or fermentation to process these herbs. Teas, tinctures, and broths are all common. Some herbs, like gospelberry and bitterwort, can take longer to process. Others, like savormoss, can be eaten raw.

That said, the above list of Atlasian herbs will likely expand into the second and third book. It has certainly added depth to the story, and it plays a little into the protagonist’s arc. I have books like Stalking the Wild Asparagus to thank for my inspiration.


Interested in joining a Mailchimp community? Members will receive free poetry, special deals, and short stories. You’ll also get the latest news on the project, Ethereal Seals.

Processing…
Success! You're on the list.

September in Review

It’s time for that monthly wrap up, and I have some interesting news to share!

  • Do you ever wonder about human emotion? How are things like fear or joy expressed in fiction? How do these emotions create dynamic stories? I’ve learned a lot about them in the past few weeks, and I wanted to share my research. Here’s two articles on fear and joy and how they’re portrayed in storytelling.
  • Another interesting topic is life and death in fantasy realms. Here, I spell out how I go about it in my upcoming novel.
  • I had the pleasure of working with a fellow blogger and writer on the use of Kindle Create. If you’re interested in e-publishing, I would check out this article right now! It has a simple rundown of what Kindle Create does and how to use it.
  • When it comes to writing and the creative process, the inner intelligence guides us. It is our intuition, our inner muse. Here’s an outstanding essay on the process and how YOU can access this inner intelligence. 
  • If you missed it, I posted notes on Brandon Sanderson’s 2020 Lecture notes. This post is quite popular, and I highly recommend it.
  • There are Fall designs and sweaters on Flux’s Esoteric Store of Art right now. Use code FALL50 to get 50% off everything for the first week of October.
  • I finished my beta swap with a co-writer, and her feedback was amazing! I can only say Blade of Dragons is much better now. That said, I know what to change and where to polish, bringing the manuscript that much closer to publication.
  • You can check out my beta partner, Rebecca Alasdair, at her website: https://rebeccaalasdair.com/. Her upcoming fantasy novel is called Graceborn. I’m looking forward to reading the final version.
  • I haven’t had the chance to read many books this year, having done two beta swaps in addition to issues with the Lockdown situation. Oral surgery, meditation work, research, and work on my two books has also kept me busy.
  • I have plans to take a break from non-fiction research and focus more on one of my favorite genres: fantasy romance. I decided on Grail’s Dawn for my next read.

As always, I’ll keep it short and sweet. I hope to see you next time when I’ll have more exciting news and gifts to share. Thanks for stopping by, it’s through people like you that make this dream possible.


Interested in joining a Mailchimp community? Members will receive free poetry, special deals, and short stories. You’ll also get the latest news on the project, Ethereal Seals.

Processing…
Success! You're on the list.

Life and Death in a Fantasy Universe

Within fiction, some characters don’t share the typical life spans that Earth humans experience. Unusual lifespans in fantasy and science fiction can influence culture and plot considerably.

We all enjoy our fantasy stories about long-lived elves, immortal dragons, or extraterrestrials who supercede death. When writing or reading about these characters, it can be hard to sympathize with them. We humans have lives of 80 to 120 years at best.

Learning to Humanize

It’s important to connect characters with readers. With fictional races, ensure the reader understands the lifespan beyond each creature. Ask if a particular lifespan serves a purpose. Are elves, as an example, long-lived because of certain worldbuilding elements in the story? What the pros and cons of living this long?

Use immortality or long lifespans to an advantage. If used to create tension, all the better. Maybe the protagonist will outlive all her friends. What emotions does that create? Is it fear, sorrow, or worry?

Cultural Impacts

If a race of elves outlives a race of humans, how might that change the way each society views each other? Are the cultural functions of elves slower, more ponderous? Are the humans ever envious, or perhaps angry at the elves? Are the elves are arrogant and see the humans as lower-beings. Michael J Sullivan’s book, Age of Myth, does an excellent job of this.

Politics

If elves are long-lived, how does that change childbearing laws, if there are any? Do they procreate often, or not very much? How is it impacting the government’s role in regulating the population? We can ask a million questions with these. Take time to explore each one and world build.

Religion

A society’s view on death can be a good way to world build and even build a cast of characters up. Weave spiritual principles into the life and death narrative. The more one examines each of these facets of a fictional race, the stronger the reader’s grasp on things.

Due to changes in the sun and gravity compared to Earth, the people of Atlas live 150 to 250 years on average. Full-blooded Dragonites may reach 1,000 years, whereas half-dragons are closer to 500 to 750 years.

Because of these variables, the characteristics of Atlasian society is different than here on Earth. Lives aren’t as short and years may pass quicker for an Atlasian than an Earth human.

Culture in Ethereal Seals

Atlasian culture is advanced, to the point of space travel. Technology allows anyone to summon food at will through crystal devices. Healing technologies and magic also exist, which can mitigate the risk of death.

Death is looked upon as a somewhat foreign phenomenon. Oftentimes death is the result of battle, rather than starvation or old age. When it does occur, it creates a visceral reaction in most Atlasians, who might not be accustomed to it, nor the violence associated.

There is more consideration towards major societal changes, and families don’t procreate as often. A family might have a child once every 30 to 70 years at most.

Atlasian Politics

With longer lifespans, Atlasian governments handle things slower than here on Earth. Youth is considered anyone from the ripe age of 18 until 50, whereas anyone over 100 is of middle-age. Most leaders are chosen based on seniority for this reason. An Atlasian who has lived 200 years is much more experienced than someone at 100.

The main ruling body on Atlas, the Dragonite Empire, is more conservative, with the average Dragonite living up to 1,000 years. Some Dragonite families may only have a few children throughout their whole life, others have none. Due to their high vitality, Dragonites may act arrogant towards other races, and see themselves as protectors of Atlas.

To a Dragonite, long lives invite loneliness, as friends of other races die long before they do. Death is seen more as a release from their duties in that lifetime. A reprieve. Dragonites have a higher appreciation for death, whereas other races fear it.

Atlasian Religion

Whether through fear or respect, all Atlasians see death as an inevitable process. When one dies, it is believed they ascend into the Celestial Heavens and become one with the divine Aspects. Those of a wicked nature may visit the Celestial Hells.

After an unknown period of time, the soul is then said to recycle itself, returning back to the mortal plane in a different form. Reincarnation. This comes at a price, as the soul forgets who it was, carrying over trauma and tendencies from previous births.

Burial

Burial is a sacred process, called a Deliverance, which calls for priests or priestesses to evoke the name of the Aspects. If a priest isn’t available, certain prayers and mantras can suffice. Bodies are buried within the ground of Atlas, called the Earthmother, a deified form of the planet.

Priests are sought by kings, army generals, and cutthroat mercenaries alike. Most believe that if a corpse isn’t given a proper Deliverance, the killers may experience horrible repercussions from the Aspects, for the soul will be unable to reincarnate.

What are your views on life and death in fiction? Do you have a story that explores these concepts? Leave your answer in the comments below. Thanks for reading!


Interested in joining a Mailchimp community? Members will receive free poetry, special deals, and short stories. You’ll also get the latest news on the project, Ethereal Seals.

Processing…
Success! You're on the list.

What is Joy? How do you Describe it in Fiction?

The other day we covered the emotion of fear in fiction, and how useful it can be in creating tension within a character. Today, we travel to the opposite side of the spectrum: joy.

Joy is a state of happiness or delight, often seen with positive emotional changes. We all have experienced joy at one point in our lives. This happiness can be a powerful tool in fiction as it heightens characters’ expressions, shows them at their best.

While it can be fun to break a character down into the depths of fear and despair, joy is refreshing and relaxing for the reader. There are characters with up-beat personalities, often used for comic relief or for balancing out the fear and gloom in a story.

How Do We Define Joy?

Quoting from Dictionary.com, joy is:

1. The emotion of great delight or happiness caused by something exceptionally good or satisfying; keen pleasure; elation: She felt the joy of seeing her son’s success.

2. A source or cause of keen pleasure or delight; something or someone greatly valued or appreciated:Her prose style is a pure joy.

Describing Joy in Fiction

Joy is harder to flesh out than fear in storytelling. Joy requires a deeper level of authenticity that connects to the reader. Writers should be wary of cliches or other mundane terms that weaken the expressions of joy.

Some Character Expressions of Joy

  • smiling, singing, or dancing
  • heart leaping
  • laughing, joking, or teasing,
  • vigorous, excited energy
  • high sociability
  • hugging, kissing
  • confidence, willingness, optimistism
  • restraining from certain quirks
  • daydreaming
  • giving or sharing
  • a clear, strong voice
  • a straight, but relax posture
  • higher than usual strength or endurance

The Dance of Joy and Fear

Remember, joy can’t create tension like fear can. Joy’s purpose is to command relief to the reader. Too much joy all the time, and the story feels dull. Too much fear, and the reader can quickly get exhausted. Instead, a balance of the two is ideal.

Going Deeper

We should ask ourselves how our characters feel when they are happy. What are their dreams? What are their fears that counterbalance that joy? We can put ourselves in the characters’ shoes and savor every ounce of emotion that compromises that joy.

It’s important to show and not tell the emotions, as showing draws the reader deeper into the character. There are exceptions when telling is preferred.

Joy, as wonderful as it sounds, is another device used in the cog of storytelling. It has specific purposes associated with it. Some of these are to:

  • Contrast with dark or hellish themes
  • Motivate a depressed character towards a goal
  • Worldbuild, based on a culture’s perspective of joy
  • Briefly break tension to give the reader a reprieve

Example 1: Lord of the Rings

Let’s examine the Shire: a merry place full of feasting, greenery, and food! It’s kin to a paradise and has—ahem—all the comforts of home. Now contrast that with the dark, hellish realm of Mordor. With Sauron’s evil encroaching upon Middle Earth, the Shire makes his realm look that much darker.

Example 2: Theft of Swords

Royce Melborn is a dark character, often depressed and aloof. His comrade, Hadrian Blackwater, is more optimistic and idealistic. This contrast is excellent and helps drive their character arcs forward. It also creates an entertaining exchange between the two.

Happiness, like fear, can be a potent tool in fiction. When used right. A careful balance of joy and tension creates an enjoyable play of emotions that will delight readers.

What are your thoughts on joy? How would you have it portrayed in stories? Are there any favorite books that illustrate this? We’d love to hear in the comments below. Thanks for reading!


Interested in joining a Mailchimp community? Members will receive free poetry, special deals, and short stories. You’ll also get the latest news on the project, Ethereal Seals.

Processing…
Success! You're on the list.

Kindle Create review and guide

When it comes to publishing our work online, the options can seem confusing and overwhelming. Here’s a helpful article on Kindle Create from a fellow blogger. KC is a tool to publish your work online with some easy-to-use features.

 


Tomas - the wandering dreamer

Today, I’ll look into the Kindle Create tool for formatting Kindle e-books in a mix of review and guide. I’ll share my opinion, the +/- of the software, and look at the basic functions.


View original post 860 more words

Fictional Terms in Ethereal Seals: Crystal Technology

Crystals are a fascinating subject for me. Ever since college, I consumed books and articles on crystals. I also examined more esoteric material, the supposed energy properties of gemstones.

With geology as one of my side hobbies, I decided to incorporate it into Ethereal Seals. This will be the first in a series of fictional terms found in my story as of 9/8/2020.

Elemental crystals are used as storage containers for magic (Shifting) and technology. The ether can build up in crystals. This forms charged gemstones , which can operate machinery or perform Shifting spells.

The Uses of Crystal Technology

Atlasian culture makes heavy use of Elemental crystals. Everything from convenience tools to military weapons see use. Below, I’ll list the more predominant ones.

  • Ration Crystals: conjure food and water that doesn’t last long
  • Vi’lances: power lance-like weapons that shoot fireballs
  • Etheric stabilizers: power large machinery like spaceships or buildings
  • Crystalweave: forms clothing that repairs damage and removes smells
  • Etheric translocators: teleports users to a designated location
  • Crystal glass pads: thin, flexible slabs that can display digital information (much like phones)
  • Vir’gols: advanced, sapient weapons or tools powered through denser crystals

The Costs of Crystal Technology

While Shifting and using magic draws lifeforce from the Shifter’s spine, crystals mitigate this. Instead, crystals take the brunt of the stress. Any Elemental spirits alive within the gemstone experience great pain.

Imagine being trapped in a prison your whole life, strapped to a generator like a battery?

This adds a moral dilemma to using crystal technology. The protagonist, Pepper Slyhart, realizes this, and her perspective of crystals changes through the story. Crystals are also more limited in their uses compared to Shifting.

The Elements in Ethereal Seals are based off the Aspects, gods that rule over the universe. Crystals usually take after a certain Aspect. These being:

  • Fire: destruction and cleansing
  • Water: healing and preservation
  • Wind: movement and space
  • Earth: growth and form
  • Spirit: abstract and astral
  • Light: radiation and healing
  • Shadow: free will and concentration

A Shifter can insert crystals into a vir’gol via slots in the devices. Upon interfacing, the vir’gol can draw upon the crystal like a battery and funnel the Shifter’s spells. Much like a wand.

Most vir’gols have sapience, which allows them to speak freely. They can also do telepathy with their masters. Once a crystal is removed, drained of ether, or damaged beyond repair, the vir’gol loses its awareness. It dies.

Vir’gol Pacts

The connection between Shifter and vir’gol is called a Pact. A Shifter makes a Pact by inserting the crystal and activating the device. An oath is spoken, binding the Shifter to the weapon (and therefore the crystal) until the oath is fulfilled.

Some Shifters form a Pact subconsciously, only to later realize and strengthen it. To break a Pact isn’t easy. It causes emotional upheaval in the Shifter, in addition to nausea, lightheadedness, and confusion. The vir’gol is also disrupted and its crystal damaged.

Cursed Vir’gols

One exception to this in the story is Myrnight, a cursed vir’gol that feeds off its masters energy. In this case, the vir’gol forms a parasitic relationship with the Shifter. Cursed vir’gols are rare and quite powerful, often at the expense of one’s sanity.

Crystals in the world of Atlas are useful, widespread technology. While there are serious costs to using Elemental crystals, they are a powerful tool for Shifters.

The plot of Ethereal Seals plays heavily on the moral predicament behind crystals. It also influences the protagonist’s journey, creating scenes of tension.

Thanks for reading! 🙂


I’m currently expanding my platform onto Mailchimp to develop a mailing community. Members will receive free poetry, special deals, and short stories. You’ll also get the latest news on my project, Ethereal Seals!

Processing…
Success! You're on the list.